Adhyāya 2 · Brāhmaṇa 2

4 श्लोक

पूर्ण अध्याय पाठ4 श्लोक

अध्याय 8

श्लोक 2.2.1

यो ह वै शिशुँ साधानँ सप्रत्याधानँ सस्थूणँ सदामं वेद सप्त ह द्विषतो भ्रातृव्यानवरुणद्ध्ययं वाव शिशुर्योऽयं मध्यमः प्राणस्तस्येदमेवाऽऽधानमिदं प्रत्याधानं प्राणः स्थूणाऽन्नं दाम

yo ha vai śiśum̐ sādhānam̐ sapratyādhānam̐ sasthūṇam̐ sadāmaṃ veda sapta ha dviṣato bhrātṛvyānavaruṇaddhyayaṃ vāva śiśuryo'yaṃ madhyamaḥ prāṇastasyedamevā''dhānamidaṃ pratyādhānaṃ prāṇaḥ sthūṇā'nnaṃ dāma

English

Verily he who knows the babe with his place , his chamber , his post , and his rope , he keeps off the seven relatives who hate him. Verily by the young is meant the inner life, by his place this (body) , by his chamber this (head), by his post the vital breath, by his rope the food.

अध्याय 8

श्लोक 2.2.2

तमेताः सप्ताक्षितय उपतिष्ठन्ते तद्या इमा अक्षँल्लोहिन्यो राजयस्ताभिरेनँ रुद्रोऽन्वायत्तोऽथ या अक्षन्नापस्ताभिः पर्जन्यो या कनीनका तयाऽऽदित्यो यत्कृष्णं, तेनाग्निर्यच्छुक्लं तेनेन्द्रो ऽधरयैनं वर्तन्या पृथिव्यन्वायत्ता द्यौरुत्तरया ।नास्यान्नं क्षीयते य एवं वेद

tametāḥ saptākṣitaya upatiṣṭhante tadyā imā akṣam̐llohinyo rājayastābhirenam̐ rudro'nvāyatto'tha yā akṣannāpastābhiḥ parjanyo yā kanīnakā tayā''dityo yatkṛṣṇaṃ, tenāgniryacchuklaṃ tenendro 'dharayainaṃ vartanyā pṛthivyanvāyattā dyauruttarayā | nāsyānnaṃ kṣīyate ya evaṃ veda

English

Then the seven imperishable ones approach him. There are the red lines in the eye, and by them Rudra clings to him. There is the water in the eye, and by it Parganya clings to him. There is the pupil, and by it Âditya (sun) clings to him, There is the dark iris, and by it Agni clings to him. There is the white eye-ball, and by it Indra, clings to him. With the lower eye-lash the earth, with the upper eye-lash the heaven clings to him. He who knows this, his food does never perish.

अध्याय 8

श्लोक 2.2.3

तदेष श्लोको भवति ।अर्वाग्बिलश्चमस ऊर्ध्वबुध्नस्तस्मिन्यशो निहितं विश्वरूपम् ।तस्याऽऽसत ऋषयः सप्त तीरे वागष्टमी ब्रह्मणा संविदानेति ।अर्वाग्बिलश्चमस ऊर्ध्वबुध्न इतीदं तच्छिरः एष ह्यर्वाग्बिलश्चमस ऊर्ध्वबुध्नः ।तस्मिन्यशो निहितं विश्वरूपमिति प्राणा वै यशो निहितं विश्वरूपं प्राणानेतदाह ।तस्याऽऽसत ऋषयः सप्त तीर इति प्राणा वा ऋषयः प्राणाणेतदाह ।वागष्टमी ब्रह्मणा संविदानेति वाग्घ्यष्टमी ब्रह्मणा संवित्ते

tadeṣa śloko bhavati | arvāgbilaścamasa ūrdhvabudhnastasminyaśo nihitaṃ viśvarūpam | tasyā''sata ṛṣayaḥ sapta tīre vāgaṣṭamī brahmaṇā saṃvidāneti | arvāgbilaścamasa ūrdhvabudhna itīdaṃ tacchiraḥ eṣa hyarvāgbilaścamasa ūrdhvabudhnaḥ | tasminyaśo nihitaṃ viśvarūpamiti prāṇā vai yaśo nihitaṃ viśvarūpaṃ prāṇānetadāha | tasyā''sata ṛṣayaḥ sapta tīra iti prāṇā vā ṛṣayaḥ prāṇāṇetadāha | vāgaṣṭamī brahmaṇā saṃvidāneti vāgghyaṣṭamī brahmaṇā saṃvitte

English

On this there is this Sloka: 'There is a cup having its mouth below and its bottom above. Manifold glory has been placed into it. On its lip sit the seven Rishis, the tongue as the eighth communicates with Brahman.' What is called the cup having its mouth below and its bottom above is this head, for its mouth (the mouth) is below, its bottom (the skull) is above. When it is said that manifold glory has been placed into it, the senses verily are manifold glory, and he therefore means the senses. When he says that the seven Rishis sit on its lip, the Rishis are verily the (active) senses, and he means the senses. And when he says that the tongue as the eighth communicates with Brahman, it is because the tongue, as the eighth, does communicate with Brahman.

अध्याय 8

श्लोक 2.2.4

इमावेव गोतमभरद्वाजावयमेव गोतमोऽयं भरद्वाज इमावेव विश्वामित्रजमदग्नी अयमेव विश्वामित्रोऽयं जमदग्निरिमावेव वसिष्ठकश्यपावयमेव वसिष्ठोऽयं कश्यपो वागेवात्रिर्वाचा ह्यन्नमद्यतेऽत्तिर्ह वै नामैतद्यदत्रिरिति ।सर्वस्यात्ता भवति सर्वमस्यान्नं भवति य एवं वेद

imāveva gotamabharadvājāvayameva gotamo'yaṃ bharadvāja imāveva viśvāmitrajamadagnī ayameva viśvāmitro'yaṃ jamadagnirimāveva vasiṣṭhakaśyapāvayameva vasiṣṭho'yaṃ kaśyapo vāgevātrirvācā hyannamadyate'ttirha vai nāmaitadyadatririti | sarvasyāttā bhavati sarvamasyānnaṃ bhavati ya evaṃ veda

English

These two (the two ears) are the Rishis Gautama and Bharadvâga; the right Gautama, the left Bharadvâga. These two (the eyes) are the Rishis Visvâmitra and Gamadagni; the right Visvâmitra, the left Gamadagni. These two (the nostrils) are the Rishis Vasishtha and Kasyapa; the right Vasishtha, the left Kasyapa. The tongue is Atri, for with the tongue food is eaten, and Atri is meant for Atti, eating. He who knows this, becomes an eater of everything, and everything becomes his food.

स्रोत: https://sanskritdocuments.org/doc_upanishhat/bribasic.itx · प्राप्त 20/10/2026

पिछलाअध्याय 7Adhyāya 2 · Brāhmaṇa 1 अगलाअध्याय 9Adhyāya 2 · Brāhmaṇa 3

कीबोर्ड: ← → से अध्याय बदलें

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शास्त्रीय प्रामाणिकता एवं पारदर्शकताSources & Interpretation

स्रोत, संस्करण एवं व्याख्या वर्गीकरण

धर्म ग्रंथ पर मूल शास्त्र, पारंपरिक भाष्य और आधुनिक व्याख्या को पूर्णतः पृथक रखा जाता है ताकि पाठक को किसी भी व्याख्या के शास्त्र होने का भ्रम न हो।

सामग्री वर्गीकरण संकेत (Epistemic Content Labels)

6 स्तरिय प्रमाण व्यवस्था

मूल पाठOriginal text

अपौरुषेय / प्रामाणिक शास्त्र (Primary Canonical Scripture)

मूल संस्कृत, प्राकृत अथवा अवधी श्लोक/मंत्र। यह सर्वोच्च प्रमाण (प्रस्थान) है। इस पाठ में किसी भी आधुनिक व्याख्याकार का हस्तक्षेप नहीं है।

शाब्दिक अनुवादLiteral translation

पदार्थ व अन्वय (Direct Grammatical & Word-for-Word Meaning)

व्याकरणसम्मत प्रत्यक्ष शब्दार्थ (अन्वय)। बिना किसी दार्शनिक संप्रदाय के पूर्वाग्रह के, संस्कृत शब्दों का सटीक भाषांतर।

पारंपरिक भाष्यTraditional commentary

आचार्य परंपरा व टीका (Classical Lineage Commentary)

प्राचीन आचार्य परंपरा (यथा शंकराचार्य, रामानुजाचार्य, मध्वाचार्य, श्रीधर स्वामी) द्वारा विरचित शास्त्रीय भाष्य व टीकाएं।

सरल व्याख्याSimple explanation

भावार्थ व सुबोध प्रबोधन (Accessible Pedagogical Exposition)

आधुनिक जिज्ञासुओं के लिए सरल भाषा में भावार्थ। यह मूल मंत्र नहीं, बल्कि पाठ को सुगम बनाने हेतु संपादकीय व्याख्या है।

आधुनिक चिंतनModern reflection

समसामयिक विमर्श व अनुप्रयोग (Contemporary Application & Analysis)

दार्शनिक, मनोवैज्ञानिक व वैज्ञानिक समरूपताओं पर आधुनिक चिंतन। यह मूल शास्त्र का अंग नहीं है और इसे शास्त्रोक्त सिद्धांत के रूप में नहीं देखा जाना चाहिए।

शोध टिप्पणीResearch note

पांडुलिपि एवं ऐतिहासिक शोध (Critical Apparatus & Manuscript Research)

पांडुलिपि विविधताएं, पाठ-भेद (variant readings), छंद रचना, और ऐतिहासिक व तुलनात्मक भाषावैज्ञानिक शोध। यह शास्त्र का मूल संदेश बदलने हेतु नहीं, बल्कि पाठ की प्रामाणिकता परखने के लिए है।